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LIVETS VATTEN - L acqua della vita U n r a c c o n t o d i E
Omkr. 1400. Detta är starkt framhävt hos fili- granlänstolen, som fått en Doktor Konrad Strauss, Mi.incl1en. Fru Sonja Svedlng Mary Douglas. Motetten som verket bygger på heter Absalon fili mi och skrevs troligen av Josquin des Prez. 03 december 2009 Kommentera Niederaltaicher Scholaren, Konrad Ruhland CD 7: Desprez: Missa “La Sol Fa Re Mi” & Motets Capella antiqua München, Konrad Ruhland ”Pitch Content and Modal Procedure in Josquins Absalon, fili mi.” Tijdschrift van de Vereniging voor Nederlandse Muziekgeschiedenis 33: 3-27.
Period: Renaissance: Piece Style Renaissance: Instrumentation 4 voices External Links DIAMM Josquin Research Project (1) Provided to YouTube by NAXOS of America Absalon, fili mi · Alamire The Spy's Choirbook ℗ 2014 Obsidian Released on: 2014-10-07 Choir: Alamire Conductor: Absalon, fili mi, Quis det ut moriar pro te, Fili mi Absalon. Non vivam ultra, Sed descendam in infernum plorans. Authorship. by Bible or other Sacred Texts &emsp13 Fili mi Absalon und „Gras“ Der bekannte Aargauer Komponist Jürg Frey hat speziell für diese aussergewöhnliche Besetzung und dieses Programm eine Auftragskomposition geschrieben. „Gras“ für einen Sänger, Barockharfe und vier Barockposaunen, bezieht sich nicht nur inhaltlich, sondern auch formal auf die Tradition der barocken geistlichen Konzerte.
Seon - Excellence in Early Music [85CDs] Vol.1 2014
10. 3:51.
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Title Absolon fili mi quis mihi det ut ego Composer Josquin Desprez: Opus/Catalogue Number Op./Cat. No. NJE 14.1 I-Catalogue Number I-Cat. No. IJ 147 Language Latin Composer Time Period Comp. Period: Renaissance: Piece Style Renaissance: Instrumentation 4 voices External Links DIAMM Josquin Research Project (1) Provided to YouTube by NAXOS of America Absalon, fili mi · Alamire The Spy's Choirbook ℗ 2014 Obsidian Released on: 2014-10-07 Choir: Alamire Conductor: Absalon, fili mi, Quis det ut moriar pro te, Fili mi Absalon.
Schütz, H. Fili mi Absalon, 1975. O Jesu, mi dulcissime 3 SSA Latin 2318 Ego sum (Gregorian chant) 1 unison Because He Lives 2 ST or AB English 1019 * Absalon fili mi SATB Latin 106
av L Lönnroth · 1963 · Citerat av 53 — traditionen. Jfr Absalon Taranger: Tyske og »Legg nilpr fm, sonr, f)at er Ipn ber, era Ipat Tpitt eigin» (»Pone, fili, pone hoc quod »Quid agis, fili mi?» At ille
Carl Abrahamsson · Marina Abramovič · Absalon · Nadja Abt · Tomma Abts Louise Fili · Carla Filipe · Genoveva Filipovic · Franjo Filipović · Robert Filliou · Fillìa Mi You · Al Young · Ashleigh Young · Barbara N. Young · Benjamin Young. (Absalon : skrifter / utgivna vid Litteraturvetenskapliga institutionen i Lund; Vol. 31).
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The latest in Ivan Hewett's 50-part series on short works by the world's greatest composers. This page lists all recordings of Absalon Fili Mi by Josquin Despres (c.1440-1521). Absalon fili mi, méditation sur Les Lamentations de David, est peut-être l’oeuvre la plus connue de Josquin et a longtemps été considérée comme un exemple classique du style de sa maturité. Le doute subsiste, cependant, quant à son auteur, qui pourrait être Pierre de la Rue (c.1460-1518), comme l’a suggéré Joshua Rifkin.
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2 SYMPHONIAE SACRAE sur des textes bibliques : Fili mi, Absalon
Maria BATOVA (soprano) Andrei NEMZER (counter-tenor) Kirill KRAYUSHKIN (bass) ALTA CAPELLA early Absalon, fili mi Lyrics: Absalon fili mi / Quis det ut moriar pro te, Absalon? / Non vivam ultra / Sed descendam in infernum plorans. Absalon Fili Mi - Graham Keitch.
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Stephan MacLeod & Jorg Sondermann & Edda Breit & Triton Trombone Quartet. 1503/04) (four voices, six in Agnus III)# "Missa La sol fa re mi" (four voices)# (probably Robert de Févin)=== Motets ===# "Absalon, fili mi (4vv)" (attribution Absalon, fili mi @dramaten #romeoochjuliakoren #macbeth #repetition #absalonfilimi #romeoochjuliakören.
LIVETS VATTEN - L acqua della vita U n r a c c o n t o d i E
Authorship. by Bible or other Sacred Texts   [author's text not yet checked against a … A comparative study of the sources ofJosquin's Absalon,fili mi will illuminate mid sixteenth-century practices and determine the manner in which one performer, the lutenist Sebastian Ochsenkun (I521-74),' interpreted contemporary materials.
Agnus Dei. In te, Domine, speravi. (ca 20 min).